Absolutely. We regularly collaborate with agencies, directors, and in-house production teams.

You can either provide your creative direction and we’ll handle the motion control and lighting setup — or we can co-develop the concept with your team.

Our studio is designed to integrate smoothly into larger production workflows.

Not at all limited to tabletop.

While the robot excels in precision product shots — like liquids, packaging, or small setups — it’s equally powerful for larger productions.

We can capture full-scale scenes, model motion, or complex camera moves synced with lights, rigs, or external triggers.

Whether it’s a single product hero or a cinematic brand film — the motion-control system brings consistency, repeatability, and that “impossible to handhold” look to any scale of production

Yes — you can book the robot with or without our production crew to shoot at our studio.

If you already have a DOP or camera operator, we can provide the motion-control system, tech support, and workspace. Due to the size of the robot (over 2,000 pounds with weights for stability) and specific power requirements (3-phase power and a higher amperage) on-location shoot are possible only with advance planning and safety personnel present at the scene.

We shoot with the Freefly Ember S5K for ultra-slow-motion, cinematic detail (up to 800 fps at 4k, and 600 fps at 5k), and pair it with high-end lighting rigs that were custom made for our studio. All in, we have over 6,000 kilowatts of white-balance consistent, non-flickering LED light. We don't use conventional tungsten bulbs, so it's not super hot at the studio and the products (or models!) don't melt :)

For specific needs, we can mount almost any other cameras — from RED to Blackmagic — depending on the project’s technical requirements. The heaviest camera the robot can support is rigged Phantom Flex 4k.

It depends on the complexity. Simple arcs or spins take 15–30 minutes to program; advanced sequences with trigger cues can take several hours.

We usually schedule a full day for setup and testing before the final takes — ensuring the motion, timing, and visuals are perfect.

Of course.

We often collaborate with directors, cinematographers, and brand teams who want to bring their own creative vision.

You’ll have full access to live previews, and we’ll handle all the technical coordination — so your crew can focus purely on the creative.

The robot is great for anything that benefits from movement — drinks, cosmetics, tech, jewelry, or lifestyle products.

If it shines, pours, spins, or reacts beautifully to light — the robot makes it unforgettable.

Yes — every project starts with a storyboard or AI mockup to visualize motion and angles.

It helps align creative direction before we start programming, ensuring every frame supports the brand’s message.

Robot motion projects are fully tailored to the complexity of the shot — from simple tabletop movements to multi-scene cinematic sequences.

The main variables are:

• complexity of motion (number of moves, triggers, and timing layers),

• use of liquids or rigs,

• shoot duration, and

• whether it’s a standalone video or part of a larger campaign.

Each factor affects prep time, setup, and post-production scope.

We usually start with a creative brief and provide an estimate once the scale and motion requirements are defined.